Miken: Being a female who doesn’t usually deal well with fanservice shows, I don’t know what the hell came over me when I decided to “borrow” the newly released Funimation dub from a friend and marathon the whole thing. It’s definitely an interesting series — a passable war-based plot, amusing characters and pretty nice battle scenes… but I suppose it all really only matters in the eye of the beholder.

The fanservice…well, I wouldn’t go so far to say that it detracts from the series, since I’m pretty sure I’m not in the demographic that it was aimed at, but it does feel awkward in an otherwise lighthearted series sprinkled with some tones of action/intrigue that you’d expect from a series with a premise like this one. Of course, there’s a good portion of an episode dedicated to chasing down a pantie thief…but even Macross Frontier went there during one of their lower-budget episodes, so I can’t exactly call Gonzo out on this one.

On the topic of panties…Yeah, pretty much every girl in this series doesn’t wear pants. I suppose Gonzo’s doing its intended viewers a favor by giving them what they came to watch the series for first instead of constantly teasing them with upskirts. Other than the awkward lack of pants, the art looks fine and and the character designs aren’t bad either.

I’m sure I’m not the only one reminded of Code Geass here. D:

Back to the topic of Gonzo (which I hope will get out of the ground soon), they did a pretty good job this time around. The CG definitely fit here more than usual and I liked the lighter color scheme of the series. I can definitely understand that this series is what kept the studio afloat a bit longer. It has the natural markings of a financially successful show: cute girls, good action scenes, a passable amount of mystery and…well, something that sticks out and gets the attention of otaku — the aforementioned lack of pants. Although it wasn’t a HUUUUUGE hit, it still did well enough in DVD sales. Although Gonzo no longer holds the rights to make the second season, after watching this, I can’t help but feel a tiny twinge of regret…since this is probably one of their better-handled series of recent years. Sure, it’s by no means perfect and there are some hiccups, but the series meshes together nicely in the time frame that it has.

For a wrap up, here are a few questions I like to ask myself:
Will I remember watching this series a few years down the road? Probably. The quirks that this series had and the *ahem* unique approach it took to fanservice will probably be burnt into my brain whether I like it or not.
Will this series be remembered by the general anime-watching public a few years down the line? It might linger a bit more, but seeing as how this series has been swept under the carpet a bit in terms of popularity, I don’t see it really being brought up much even 3-4 years down the line. There will still be fans, but they just won’t be the kinds of fans that stick through the years with series like Evangelion or Cowboy Bebop.

Score? 7.1/10

Miken: Seeing as I’m watching more and more old shows on top of my 10+ new shows per season, I suppose I should at least leave some comments on the older series that I’ve watched/caught up on. The first and hopefully not the last post will be of Neon Genesis Evangelion. I had seen an episode or two many years ago, but I never really got the chance to sit down and properly watch it. However, my boyfriend annoyed asked me into watching it in its whole glory.

The first half of the series is tame enough. You can see that each character has his/her own problems, but it isn’t really overt. For the most part, the episodes also follow a standard “destroy the Angel of the week” plotline. It was while watching these episodes that I finally decided on my preference in Eva pilots going: (1) Asuka, (2) Shinji, (3) Rei.

Amazingly, Shinji didn’t annoy the crap outta me as much I feared. Of course, after having to sit through Ambassador Asshat Luke fon Fabre in Tales of the Abyss, the Shinji of the first half was bound to be pretty likable by comparison. As for the second half, he did seem to hit a wall about 20 times, but I empathized with him more then, since NERV is nowhere to be for any kid his age. Problems that ‘normal’ kids would encounter, like parent/acceptance issues are put under a magnifying glass due to the stressful and dangerous nature of their jobs.

Rather than being angry at Shinji, I was more frustrated with Gendo Ikari. Seriously, his fathering skills are only marginally better than Rosa Ushiromiya’s in that he actually sorta-almost-not-really means some good and has a slightly better Freudian Excuse. It seems like nearly all the time, he’s really manipulating Shinji — using his kid’s inadequacies against him in order to guilt him into staying on the team, also taking advantage of Shinji’s very obvious need for his father’s approval. Of course, it could be him taking Shinji and almost caring for him through forcing him to grow a backbone, but his methods really aren’t doing his son any good. In fact, they’re pretty much ruining what’s left of his fragile mentality.

Speaking of fragile mentalities: the pilots…Oh goodness I felt so bad for these children. It really hit me when Gendo nearly had Eva Unit 01 kill Toji in the failed Unit 03. I mean, it’s bound to send someone into a near-catatonic state when his control over his giant robot is removed and he’s forced to see his friend nearly die like that, especially when the guy who removed control from you was your own father, who knew full well who was in that other Eva. Doesn’t help at all that the Evas seem to bleed when they’re injured. Afterwards, I really didn’t blame Shinji from wanting to run away from NERV and the Evas. Of course, he got guilt tripped/lectured into going back. Then there’s Shinji having to kill Kaoru. Sure, Kaoru really creeped me out and it was obvious that something was wrong with him from the start, but Shinji was starting to really develop a friendship [albiet a very strange and probably unhealthy one] with the guy.

At the very least, I like the current Rei better than this one

Surprisingly, I didn’t really connect to Rei despite knowing how huuuuge she is in terms of popularity. I call a difference in culture here. I suppose that the Japanese are more likely to like a character of Rei’s nature, while westerners like someone more active/riled up like Asuka or maybe Misato. Rei was never an eyesore, but she was just kinda there for me. I did, however, like the backstory leading up to the creation of the first Rei, since it was nice to see just how Gendo changed [and somehow didn't change] while he still had Yui. For one, he definitely seemed kind of nicer, but at the same time, very cunning and not unlikely to pull some underhanded tricks.

We’re very sorry, but we ran out of money

As for Asuka and Shinji…I could connect to them to a certain degree in terms of their acceptance issues, which is why I liked them a bit more. The mindscrew of the final two episodes brought all of Shinji inner turmoil to a head in which he finally got to realizing that he had to start liking himself. The whole imagery of the way each character is and how other characters perceive him/her was definitely nice. It really shed a different light on the characters as well: Rei didn’t seem quite as empty as before as she discussed her own concerns about her existence; Asuka lost her strong-girl edge and revealed her many faults and revealed why she put up so many walls and sought the attention of everyone; Misato lost the mask of the caring and composed mother figure and her problems with her father and the roots of her relationship with Kaji were explored; and Shinji battled with his father issues as well as his own lack of personal esteem, eventually realizing that he had to perceive himself as better for others to perceive him well even when he is not piloting the Eva. While not really very visually amazing due to lack of budget, it did a wonderful job of fleshing out the characters.

All in all, the last 2 episodes…I had heard much about them before, but I didn’t expect them to be that confusing. Okay, so it does present itself fairly straightforward, but it leaves so much to be inferred. It doesn’t help when Hideaki Anno himself is the master of the Shrug of God. I’ll head off to the movies later, but as for now, I’m still scratching my head a bit.

Congratulations, Shinji~ Now how’re you going to get off that big blue ball and back to saving the world?

Series Overall Score: 8/10
It was nice and I can definitely see why it’s lasted so many years and is still very strong in terms of popularity. However, having seen this after seeing so many series and without the influence of nostalgia, I don’t think that it really ranks atop my favorites. Sure, I’ll probably remember this series years down the line when I’ve forgotten the names of “amazing for a little while” series like Darker than Black, and maybe then I’ll look on this more fondly. However, it’s just sitting at above-par at the moment.

What’s up next? Well, it might either be something more recent like Seto no Hanayome or something older than I am, like the first Gundam series or SDF Macross. Or maybe finally get to watching Cowboy Bebop in order. I really haven’t decided. After all, this post was made on a whim and my choice of watching older shows depends on my whims too…

Note: Any of you who lost 5+ hours of your life to any of the TV tropes links up there, I’m sorry. Here’s a gift.